#Movies in theaters now trailers movie#

#Movies in theaters now trailers movie#

A third movie was filmed simultaneously and is slated to soar into theaters in December 2024. Much of the sequel is set to take place in Pandora’s oceans, with Cameron having developed new technology in order to film motion capture scenes underwater, something never previously achieved. “The Way of Water” also marks the franchise debuts for Edie Falco, Jemaine Clement, Michelle Yeoh, and Kate Winslet, who famously starred in Cameron’s fellow Oscar-winning history-making film “Titanic.” Cameron directs the follow-up and produces again alongside Landau. This time around, the Sully family endures danger, battles to the death, and faces tragedy throughout the film.

The sequel, “ Avatar: The Way of Water,” continues the saga of the Sully family, now with their children, as the battle for Pandora rages on. Nightmare Film Shoots: The Most Grueling Films Ever Made, from 'Deliverance' to 'Mad Max' to 'Avatar 2' Nia Long: 'Why Wasn't I Considered' for 'Avatar' Over Zoe Saldaña? 'Avatar: The Way of Water' Takes Home Unprecedented 9 VES Awards Jake falls for forbidden love Neytiri (Saldana), a Na’vi woman, and instead fights to save Pandora.

The film, as you may remember, follows paralyzed former Marine Jake Sully (Worthington), who travels to the alien world of Pandora and becomes mobile again through transforming into an Avatar, a human hybrid with native Na’vi. “Avatar” won three Academy Awards for Best Cinematography, Production Design, and Visual Effects. The film was also produced by Jon Landau, and nominated for nine Oscars including Best Picture and Best Director. Written, directed, and produced by Academy Award winner Cameron, “Avatar” stars Sam Worthington, Zoe Saldaña, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver. The Oscar-winning adventure movie became the most successful film of all time upon release. James Cameron’s “ Avatar” lands a special theatrical re-release in a new 4K high dynamic range restoration on September 23 to remind audiences of the sprawling epic ahead of its sequel, “ Avatar: The Way of Water,” premiering December 16. Will Sara, who knows her way around a butcher’s knife, become complicit in terrible violence, or will she take on their brutal abductor and rescue them? Piggy is bloody, forceful, weirdly empowering, and an altogether provocative night at the movies.It’s the same movie you know, love, and rewatched a dozen times back in 2009. Galán holds all sorts of contradictions of vulnerability and desire in her face and figure, never more so than when she witnesses a local maniac abducting the exact girls who torment her. Her body opens her to cruelty, but one senses Sara herself is not especially ashamed of it, and the movie luxuriates in showing her exactly as she is-big and expressive and proud and wounded in equal measure. Piggy is bold and loving in its treatment of its flawed heroine, who works in the family butcher shop and sneaks away for secret swims during a broiling Spanish summer. It tells the story of an overweight teenage girl, Sara (played with astonishing commitment by Laura Galán), who is ruthlessly bullied by her peers and given an unexpected opportunity to exact revenge. This effective, provocatively feminist horror film from Spain, opening early next month after a buzzy debut at Sundance early this year, was made by the young filmmaker Carlota Pereda. The extended monologue she delivers at the end-after spiraling into a murderous, pitchfork-wielding rage-has to be seen to be believed. Pearl is gonzo but beautiful to look at, and Goth-who has been around genre films like this for years but is more charismatic than I’ve ever seen her-carries Pearl on her peasant-dress shoulders. She wants to be a star in Hollywood and nurtures that hopeless dream while she feeds the farm’s geese to an alligator in the pond. Pearl is resonantly set in 1918 during the Spanish flu epidemic-face masks, widespread paranoia-and tells the story of a farm girl (Goth) stranded at home with her controlling mother and paralyzed father while her young husband is off at war. Think of it as The Wizard of Oz meets The Texas Chainsaw Massacre*, and if that sounds like an acquired taste, I’d still urge you to give this a try on a big screen, where its vibrant palette and sequences of sun-washed farmland have a painterly appeal. Pearl is a pastiche, conjuring the romance of Hollywood’s golden age even as the bodies pile up.